I create music for singers, from pedagogical songs for beginners to bespoke pieces for stunning soloists to full length concert works.

My instincts as a singers’ composer have been honed over a lifetime of singing and working with singers as a teacher, director, composer and colleague. My musical homeland is folk music. The authenticity, simplicity and beauty of this music infuse every note of my writing.

I begin each project by finding and crafting words. I search not only for meaning, but sounds, rhythms, inflections, and the magic space between the said and the unsaid. Then, shaping music to these words is like creating a sculpture. Sometimes I build notes up, sometimes I carve away. Asking: is it as beautiful as possible for the singers and their listeners?

I was born at a turning point where we know vocal works need the voices of women creators. The profound truths of women’s lives - wild and rich and subtle - need to be told by women. So many of the old stories that are used for vocal works present women as passive hostages to fate, telling of how women suffer and die. I am interested in seeking out from our myths and ancient tales, the hinted at stories of women’s agency, struggles and victories - of how women live.

Please find my BIO here.


Recent Projects


A free collection of songs, teaching notes and exercises for adult choirs to learn sightsinging together. 

Song a Week by jodie

A blog of arrangements for choirs, musings and other resources.


A concert of sacred songs, recorded live August 2017 performed by the singers whose beautiful voices inspired each song.


Current Projects


Wine And Cheese Cantata

Inspired by the spirit of madrigals, I'm writing this work solely for the pleasure of friends making music together. Years of going to folk festivals where folkies jam together into the night has inspired me to write something in a similar spirit for classical singers. The orchestration is simply guitar chords, the work is for jamming. Wine, Cheese and Jam! It's a democratic piece - everyone has a solo. In turn each soloist sings an aria - and then returns to the company. I've kept the choruses simple, with a tidy baroque sensibility, so readers can easily read, and learners can learn quickly. This work should be sung whilst drinking wine and eating cheese.

You may be interested to know, the plot is based on a true story.