The Light Keeper
Art song for baritone and piano
The light keeper stands as lonely sentinel between worlds - civilisation and wildness, land and sea, dark and light, even life and death. This dramatic show piece for a rich baritone voice tells the story of a light keeper alone in the world as the piano narrates the changing ocean around him.
The Light Keeper is a virtuosic sing, with a dark ending that stills the room, and would fit perfectly in a recital alongside Songs Of Travel and Sea Fever.
RANGE: A2 to F4
LENGTH: 4’45
TEXT: Jodie O’Regan
$10 PDF DOWNLOAD
The Back-Story
The Singer Behind The Song
Early in 2025 I discovered two South Australian singers were going to compete in the Adelaide Eisteddfod, in the same section with the same song of mine. And it was my fault! One singer, the really marvelous tenor Jiacheng Ding had contacted me the year before asking for a suitable song, but then hadn’t competed due to illness. I sent him a song I thought would suit him gorgeously, Say If You Will.
I completely forgot about this, when a year later the second singer baritone Macintyre Howie-Reeves contacted me for a suitable song and I sent him the same song, just down a third for a baritone, not realising Jaicheng who had long since recovered, planned to re-enter the same section with the same song.
Thankfully I discovered in time. After a short panic, I talked with Mac, who after all had asked second, to see if he’d like a new song instead. He was happy enough with this. He wanted a song about '"men working on ships” and I had an existing poem quite close to this brief, which I thought might set well.
MacIntyre “Mac” has this wonderful, classic lyric-but-big baritone voice that just sounds fuller and more exciting every time I hear it, and that thing I just love so much in singers - his phrasing is to die for. He is also a splendid performer and director, and I wanted to give him some moments to ‘go big or go home’ and just enjoy the character and the story.
When the ocean is involved, I like to give it to the piano, and have the tensions between human and ocean expressed between the two instruments.
Listen
I’ll get Mac up to the studio to record this properly, in the meantime this will give you some idea.